MEMORY CLAIMS THE DAY (photo) & A CUL DE SAC OF CLICHES (dreamku series) by Roswila

A CUL DE SAC OF CLICHES

my long-time friend shows
me memories of how she
coped in her youth,
sharing an apartment with
several impoverished others:

low on both élan and
funds they put everything
on the table --
each taking what they need
to eat or wear, as they need it

things that get dirtied
are left in the kitchen sink,
once the water’s
running again, it’ll
all come out in the wash

most intriguing,
their growing haphazard
compilation:
quotes and colorful sketches,
weavings, and living thoughts

the major stand out,
a speaking quote from a young man,
long gone, who resisted
family expectations and
became a famous poet

as his voice fades
I recall what must surely now
be a cliché: it all works
out in the end, if it’s not
worked out it’s not the end yet


[six tanka on a dream of 5-26-12. Photo “Memory Claims the Day” by Roswila]

PLEASE NOTE that I never have nor do I now lay claim to having been the first to suggest writing about our dreams in the haiku form. In fact, the haijin (Haiku Masters of centuries ago) sometimes wrote haiku on dreams. But even more importantly, what I have been developing for several years now on this blog is not even truly haiku or tanka or monoku. The ways in which I have been using and experimenting with these forms makes the results more akin to kissing cousins of these small Eastern poetry forms. Therefore, I mostly use the term "dreamku" to distinguish what I do from those traditional forms. Click here for a more in-depth INTRODUCTION than follows below, including links to my THREE PART PRIMER on the basic (most haiku-like) dreamku form.

Also, the photo accompanying a daily dream poem or non-dream based poem is not necessarily meant to illustrate it, but to reflect some small, even slant aspect of the verse -- similar to Japanese haiga (illustrated haiku). I've also recently realized that although the dreamku (i.e. dream based poems) posted here tend not to have metaphor or simile, the accompanying photos almost always act as such.

To write a metaphor or simile into a dream scenario is something I rarely do. It can be confusing: did it really look like a hand, say, in the dream, or am I just being poetic to make my conscious point? As these dreamku act as a dream journal, my over-riding tendency is to try to stay close to the actual dream scenario itself. Admittedly making for a tendency to less "poetic" dreamku. Then why pay attention to any haiku, tanka, or monoku parameters at all when writing about my dreams? Because I find in even attempting to adhere to them I'm making choices that relieve my dream recall of a great deal of chatter so that I can get down to some important dream aspects. Here's a link to THE AREN'TS OF DREAMKU & ACCOMPANYING PHOTOS in which I go into some of the basic parameters for dreamku and the photos chosen to go with them (and with any non-dream based poems I post here, as well).

The archives in the sidebar hold years of the daily dreamku, tanka, monoku and photo posts I've made, grouped in one post by month. As I no longer post dreamku (or non-dream based poems) strictly daily, each post will appear below and then in the archives by the day on which it was posted.

There are many other sorts of posts here, not all dream-based. I indicate which are about or influenced by dreams. Some non-dream focused posts are book reviews, "regular" poems (some by other writers than myself), scifaiku, writing exercises, Tarot haiku, photos, haiga, and so on. However, most of those are in much older posts. There's a listing by month going back to early 2006 in the sidebar.

* * * *

‘til next time, keep dreaming,

[aka: Patricia Kelly]
**** If you wish to copy or use any of my writing or poems, please email me for permission (under “View my complete profile”) **** My other blogs: ROSWILA’S TAROT GALLERY & JOURNAL; ROSWILA’S TAIGA TAROT; and OPENING TO THE LIGHT ****

HOME IS WHERE THE ART IS (photo) & SQUATTERS (dreamku) by Roswila

SQUATTERS

the bright old lady
I’ve never quite befriended
needs reassurance
I brush her arm to calm her,
even as I get anxious:

please, no not that one!
I can hear him overhead
trashing the attic

the hazards of a house
owned by no one and open
to everyone


[a tanka and two dreamku on a dream of 5-22-12. Photo “Home Is Where The Art Is” by Roswila, taken in Art Alley, Lompoc, CA]

PLEASE NOTE that I never have nor do I now lay claim to having been the first to suggest writing about our dreams in the haiku form. In fact, the haijin (Haiku Masters of centuries ago) sometimes wrote haiku on dreams. But even more importantly, what I have been developing for several years now on this blog is not even truly haiku or tanka or monoku. The ways in which I have been using and experimenting with these forms makes the results more akin to kissing cousins of these small Eastern poetry forms. Therefore, I mostly use the term "dreamku" to distinguish what I do from those traditional forms. Click here for a more in-depth INTRODUCTION than follows below, including links to my THREE PART PRIMER on the basic (most haiku-like) dreamku form.

Also, the photo accompanying a daily dream poem or non-dream based poem is not necessarily meant to illustrate it, but to reflect some small, even slant aspect of the verse -- similar to Japanese haiga (illustrated haiku). I've also recently realized that although the dreamku (i.e. dream based poems) posted here tend not to have metaphor or simile, the accompanying photos almost always act as such.

To write a metaphor or simile into a dream scenario is something I rarely do. It can be confusing: did it really look like a hand, say, in the dream, or am I just being poetic to make my conscious point? As these dreamku act as a dream journal, my over-riding tendency is to try to stay close to the actual dream scenario itself. Admittedly making for a tendency to less "poetic" dreamku. Then why pay attention to any haiku, tanka, or monoku parameters at all when writing about my dreams? Because I find in even attempting to adhere to them I'm making choices that relieve my dream recall of a great deal of chatter so that I can get down to some important dream aspects. Here's a link to THE AREN'TS OF DREAMKU & ACCOMPANYING PHOTOS in which I go into some of the basic parameters for dreamku and the photos chosen to go with them (and with any non-dream based poems I post here, as well).

The archives in the sidebar hold years of the daily dreamku, tanka, monoku and photo posts I've made, grouped in one post by month. As I no longer post dreamku (or non-dream based poems) strictly daily, each post will appear below and then in the archives by the day on which it was posted.

There are many other sorts of posts here, not all dream-based. I indicate which are about or influenced by dreams. Some non-dream focused posts are book reviews, "regular" poems (some by other writers than myself), scifaiku, writing exercises, Tarot haiku, photos, haiga, and so on. However, most of those are in much older posts. There's a listing by month going back to early 2006 in the sidebar.

* * * *

‘til next time, keep dreaming,

[aka: Patricia Kelly]
**** If you wish to copy or use any of my writing or poems, please email me for permission (under “View my complete profile”) **** My other blogs: ROSWILA’S TAROT GALLERY & JOURNAL; ROSWILA’S TAIGA TAROT; and OPENING TO THE LIGHT ****

DIGGING OUT (photo) & GONE (dreamku) by Roswila

GONE

I look for her house
but it’s vanished overnight
a huge square hole gapes
in the drying gray sand
where the foundation should be

I was not even
asked to her sudden wedding
our new friendship gone

[old dream tanka & dreamku on a dream in January of 2009. Photo “Digging Out” by Roswila]

PLEASE NOTE that I never have nor do I now lay claim to having been the first to suggest writing about our dreams in the haiku form. In fact, the haijin (Haiku Masters of centuries ago) sometimes wrote haiku on dreams. But even more importantly, what I have been developing for several years now on this blog is not even truly haiku or tanka or monoku. The ways in which I have been using and experimenting with these forms makes the results more akin to kissing cousins of these small Eastern poetry forms. Therefore, I mostly use the term "dreamku" to distinguish what I do from those traditional forms. Click here for a more in-depth INTRODUCTION than follows below, including links to my THREE PART PRIMER on the basic (most haiku-like) dreamku form.

Also, the photo accompanying a daily dream poem or non-dream based poem is not necessarily meant to illustrate it, but to reflect some small, even slant aspect of the verse -- similar to Japanese haiga (illustrated haiku). I've also recently realized that although the dreamku (i.e. dream based poems) posted here tend not to have metaphor or simile, the accompanying photos almost always act as such.

To write a metaphor or simile into a dream scenario is something I rarely do. It can be confusing: did it really look like a hand, say, in the dream, or am I just being poetic to make my conscious point? As these dreamku act as a dream journal, my over-riding tendency is to try to stay close to the actual dream scenario itself. Admittedly making for a tendency to less "poetic" dreamku. Then why pay attention to any haiku, tanka, or monoku parameters at all when writing about my dreams? Because I find in even attempting to adhere to them I'm making choices that relieve my dream recall of a great deal of chatter so that I can get down to some important dream aspects. Here's a link to THE AREN'TS OF DREAMKU & ACCOMPANYING PHOTOS in which I go into some of the basic parameters for dreamku and the photos chosen to go with them (and with any non-dream based poems I post here, as well).

The archives in the sidebar hold years of the daily dreamku, tanka, monoku and photo posts I've made, grouped in one post by month. As I no longer post dreamku (or non-dream based poems) strictly daily, each post will appear below and then in the archives by the day on which it was posted.

There are many other sorts of posts here, not all dream-based. I indicate which are about or influenced by dreams. Some non-dream focused posts are book reviews, "regular" poems (some by other writers than myself), scifaiku, writing exercises, Tarot haiku, photos, haiga, and so on. However, most of those are in much older posts. There's a listing by month going back to early 2006 in the sidebar.

* * * *

‘til next time, keep dreaming,

[aka: Patricia Kelly]
**** If you wish to copy or use any of my writing or poems, please email me for permission (under “View my complete profile”) **** My other blogs: ROSWILA’S TAROT GALLERY & JOURNAL; ROSWILA’S TAIGA TAROT; and OPENING TO THE LIGHT ****

DECISION POINT (photo) & OUT OF THE BLUE (dreamku) by Roswila

OUT OF THE BLUE

it starts with a hug
from her father that’s awkward
and out of the blue --
then, her male boss forgives her
for an error not really hers

next, a yelling man
by her desk everyone ignores
she calls the police
so why does she wind up
being driven by him in a cab

and then, the endless
delays and excuses he
foists upon her
that’s it! she gets out and calls
another cab on her cell

what’s a girl to do empty parking lot blues


[three tanka and a dreamku on a dream of 5-20-12. Photo “Decision Point” by Roswila]

PLEASE NOTE that I never have nor do I now lay claim to having been the first to suggest writing about our dreams in the haiku form. In fact, the haijin (Haiku Masters of centuries ago) sometimes wrote haiku on dreams. But even more importantly, what I have been developing for several years now on this blog is not even truly haiku or tanka or monoku. The ways in which I have been using and experimenting with these forms makes the results more akin to kissing cousins of these small Eastern poetry forms. Therefore, I mostly use the term "dreamku" to distinguish what I do from those traditional forms. Click here for a more in-depth INTRODUCTION than follows below, including links to my THREE PART PRIMER on the basic (most haiku-like) dreamku form.

Also, the photo accompanying a daily dream poem or non-dream based poem is not necessarily meant to illustrate it, but to reflect some small, even slant aspect of the verse -- similar to Japanese haiga (illustrated haiku). I've also recently realized that although the dreamku (i.e. dream based poems) posted here tend not to have metaphor or simile, the accompanying photos almost always act as such.

To write a metaphor or simile into a dream scenario is something I rarely do. It can be confusing: did it really look like a hand, say, in the dream, or am I just being poetic to make my conscious point? As these dreamku act as a dream journal, my over-riding tendency is to try to stay close to the actual dream scenario itself. Admittedly making for a tendency to less "poetic" dreamku. Then why pay attention to any haiku, tanka, or monoku parameters at all when writing about my dreams? Because I find in even attempting to adhere to them I'm making choices that relieve my dream recall of a great deal of chatter so that I can get down to some important dream aspects. Here's a link to THE AREN'TS OF DREAMKU & ACCOMPANYING PHOTOS in which I go into some of the basic parameters for dreamku and the photos chosen to go with them (and with any non-dream based poems I post here, as well).

The archives in the sidebar hold years of the daily dreamku, tanka, monoku and photo posts I've made, grouped in one post by month. As I no longer post dreamku (or non-dream based poems) strictly daily, each post will appear below and then in the archives by the day on which it was posted.

There are many other sorts of posts here, not all dream-based. I indicate which are about or influenced by dreams. Some non-dream focused posts are book reviews, "regular" poems (some by other writers than myself), scifaiku, writing exercises, Tarot haiku, photos, haiga, and so on. However, most of those are in much older posts. There's a listing by month going back to early 2006 in the sidebar.

* * * *

‘til next time, keep dreaming,

[aka: Patricia Kelly]
**** If you wish to copy or use any of my writing or poems, please email me for permission (under “View my complete profile”) **** My other blogs: ROSWILA’S TAROT GALLERY & JOURNAL; ROSWILA’S TAIGA TAROT; and OPENING TO THE LIGHT ****

NO EXIT (photo) & IT'S THE PITS (dreamku)

IT’S THE PITS

what is this tight ball
of danger you and I try to bury
this compacted thing
that could crack or explode
spreading great distances

this barely hand-sized
ball we've dug a huge pit for
and shovel dirt on,
and why does he want you to
clamber in the pit to finish

has he not heard the
word "contamination"?
I insist you just
keep shoveling from way up here,
together we'll succeed


[three tanka on a dream of 11-11-11. Photo “No Exit” by Roswila]

PLEASE NOTE that I never have nor do I now lay claim to having been the first to suggest writing about our dreams in the haiku form. In fact, the haijin (Haiku Masters of centuries ago) sometimes wrote haiku on dreams. But even more importantly, what I have been developing for several years now on this blog is not even truly haiku or tanka or monoku. The ways in which I have been using and experimenting with these forms makes the results more akin to kissing cousins of these small Eastern poetry forms. Therefore, I mostly use the term "dreamku" to distinguish what I do from those traditional forms. Click here for a more in-depth INTRODUCTION than follows below, including links to my THREE PART PRIMER on the basic (most haiku-like) dreamku form.

Also, the photo accompanying a daily dream poem or non-dream based poem is not necessarily meant to illustrate it, but to reflect some small, even slant aspect of the verse -- similar to Japanese haiga (illustrated haiku). I've also recently realized that although the dreamku (i.e. dream based poems) posted here tend not to have metaphor or simile, the accompanying photos almost always act as such.

To write a metaphor or simile into a dream scenario is something I rarely do. It can be confusing: did it really look like a hand, say, in the dream, or am I just being poetic to make my conscious point? As these dreamku act as a dream journal, my over-riding tendency is to try to stay close to the actual dream scenario itself. Admittedly making for a tendency to less "poetic" dreamku. Then why pay attention to any haiku, tanka, or monoku parameters at all when writing about my dreams? Because I find in even attempting to adhere to them I'm making choices that relieve my dream recall of a great deal of chatter so that I can get down to some important dream aspects. Here's a link to THE AREN'TS OF DREAMKU & ACCOMPANYING PHOTOS in which I go into some of the basic parameters for dreamku and the photos chosen to go with them (and with any non-dream based poems I post here, as well).

The archives in the sidebar hold years of the daily dreamku, tanka, monoku and photo posts I've made, grouped in one post by month. As I no longer post dreamku (or non-dream based poems) strictly daily, each post will appear below and then in the archives by the day on which it was posted.

There are many other sorts of posts here, not all dream-based. I indicate which are about or influenced by dreams. Some non-dream focused posts are book reviews, "regular" poems (some by other writers than myself), scifaiku, writing exercises, Tarot haiku, photos, haiga, and so on. However, most of those are in much older posts. There's a listing by month going back to early 2006 in the sidebar.

* * * *

‘til next time, keep dreaming,

[aka: Patricia Kelly]
**** If you wish to copy or use any of my writing or poems, please email me for permission (under “View my complete profile”) **** My other blogs: ROSWILA’S TAROT GALLERY & JOURNAL; ROSWILA’S TAIGA TAROT; and OPENING TO THE LIGHT ****