Roswila's Dream & Poetry Realm

SEE ALSO: TRYING TO HOLD A BOX OF LIGHT (photos, realistic to abstract)

Saturday, February 04, 2012

ACCOMMODATING THE LIGHT (photo) & LUCID LACK (dreamku)


LUCID LACK

my prize as winner:
an age-appropriate date --
we visit veterans
abandoned in a nursing home
among garbage and vermin

they all have kittens
their only source of affection --
clearly unhealthy
these sweet ailing creatures
dote on the war veterans

my choked back tears
as much for my helplessness
as for the lucid lack
of despair or self-pity:
none here feel unloved


[three tanka on a dream of 1-17-12. A very odd dream indeed. I find it hard to verbalize what it says to me. But I guess the best way to put it is to say it contains a humbling. A reminder not only to be grateful, but to embrace love's omnipresence. That's not to say conditions such as these dream veterans, and pets -- and some actual veterans, and pets -- live under should be ignored and left unaddressed. Just to recognize that love can grow anywhere, under any conditions. Photo "Accommodating the Light" by Roswila]

PLEASE NOTE that I never have nor do I now lay claim to having been the first to suggest writing about our dreams in the haiku form. In fact, the haijin (Haiku Masters of centuries ago) sometimes wrote haiku on dreams. But even more importantly, what I have been developing for several years now on this blog is not even truly haiku or tanka or monoku. The ways in which I have been using and experimenting with these forms makes the results more akin to kissing cousins of these small Eastern poetry forms. Therefore, the term I mostly use of "dreamku" to distinguish what I do from those traditional forms.

Also, that the photo accompanying a daily dream poem or non-dream based poem is not necessarily meant to illustrate it, but to reflect some small, even slant aspect of the verse -- similar to Japanese haiga (illustrated haiku). I've also recently realized that although the dreamku (i.e. dream based poems) posted here tend not to have metaphor or simile, the accompanying photos almost always act as such. And to write a metaphor or simile into a dream scenario is something I rarely do. It can be confusing: did it really look like a hand, say, in the dream, or am I just being poetic to make my conscious point? As these dreamku act as a dream journal, my over-riding tendency is to try to stay close to the actual dream scenario itself. Admittedly making for a tendency to less "poetic" dreamku. Then why pay attention to any haiku, tanka, or monoku parameters at all when writing about my dreams? Because I find in even attempting to adhere to them I'm making choices that relieve my dream recall of a great deal of chatter so that I can get down to some important dream aspects. Here's a link to THE AREN'TS OF DREAMKU & ACCOMPANYING PHOTOS in which I go into some of the basic parameters for dreamku and the photos chosen to go with them (and with any non-dream based poems I post here, as well).

The archives in the sidebar hold years of the daily dreamku, tanka, monoku and photo posts I've made, grouped in one post by month. As I no longer post dreamku (or non-dream based poems) strictly daily, each post will appear below and then in the archives by the day on which it was posted.

There are many other sorts of posts here, not all dream-based. I indicate which are about or influenced by dreams. Some non-dream focused posts are book reviews, "regular" poems (some by other writers than myself), scifaiku, writing exercises, Tarot haiku, photos, haiga, and so on. However, most of those are in much older posts. There's a listing by month going back to early 2006, at the end of the sidebar.

Click here for a more in-depth INTRODUCTION, including links to my THREE PART PRIMER on the dreamku form.

* * * *

‘til next time, keep dreaming,






[aka: Patricia Kelly]

**** If you wish to copy or use any of my writing or poems, please email me for permission (under “View my complete profile”) **** My other blogs: ROSWILA’S TAROT GALLERY & JOURNAL; ROSWILA’S TAIGA TAROT; and OPENING TO THE LIGHT ****

Wednesday, February 01, 2012

FALLOUT (photo) and OF XYLOPHONES & MISSTEPS (dreamku)


OF XYLOPHONES & MISSTEPS

he strolls onto the
flooded wharf just behind me
with his young teacher –
she carries the xylophone
he’s learning how to play

“plunk..plunk plunk” and “plunk”
he shows off for us soggy
footed strollers

a cool pursuit, for sure
but I’m more concerned about
what lies underfoot ...
and what’s happened to the stores
and the railings on the sides ...

where does the wharf end
and the sea begin on this narrow
path to the horizon
one misstep could dump me in
the cold and unforgiving drink


[a tanka, dreamku, and two tanka on a dream of 1-21-12. Photo "Fallout" by Roswila]

PLEASE NOTE that I never have nor do I now lay claim to having been the first to suggest writing about our dreams in the haiku form. In fact, the haijin (Haiku Masters of centuries ago) sometimes wrote haiku on dreams. But even more importantly, what I have been developing for several years now on this blog is not even truly haiku or tanka or monoku. The ways in which I have been using and experimenting with these forms makes the results more akin to kissing cousins of these small Eastern poetry forms. Therefore, the term I mostly use of "dreamku" to distinguish what I do from those traditional forms.

Also, that the photo accompanying a daily dream poem or non-dream based poem is not necessarily meant to illustrate it, but to reflect some small, even slant aspect of the verse -- similar to Japanese haiga (illustrated haiku). I've also recently realized that although the dreamku (i.e. dream based poems) posted here tend not to have metaphor or simile, the accompanying photos almost always act as such. And to write a metaphor or simile into a dream scenario is something I rarely do. It can be confusing: did it really look like a hand, say, in the dream, or am I just being poetic to make my conscious point? As these dreamku act as a dream journal, my over-riding tendency is to try to stay close to the actual dream scenario itself. Admittedly making for a tendency to less "poetic" dreamku. Then why pay attention to any haiku, tanka, or monoku parameters at all when writing about my dreams? Because I find in even attempting to adhere to them I'm making choices that relieve my dream recall of a great deal of chatter so that I can get down to some important dream aspects. Here's a link to THE AREN'TS OF DREAMKU & ACCOMPANYING PHOTOS in which I go into some of the basic parameters for dreamku and the photos chosen to go with them (and with any non-dream based poems I post here, as well).

The archives in the sidebar hold years of the daily dreamku, tanka, monoku and photo posts I've made, grouped in one post by month. As I no longer post dreamku (or non-dream based poems) strictly daily, each post will appear below and then in the archives by the day on which it was posted.

There are many other sorts of posts here, not all dream-based. I indicate which are about or influenced by dreams. Some non-dream focused posts are book reviews, "regular" poems (some by other writers than myself), scifaiku, writing exercises, Tarot haiku, photos, haiga, and so on. However, most of those are in much older posts. There's a listing by month going back to early 2006, at the end of the sidebar.

Click here for a more in-depth INTRODUCTION, including links to my THREE PART PRIMER on the dreamku form. .

* * * *

‘til next time, keep dreaming,






[aka: Patricia Kelly]

**** If you wish to copy or use any of my writing or poems, please email me for permission (under “View my complete profile”) **** My other blogs: ROSWILA’S TAROT GALLERY & JOURNAL; ROSWILA’S TAIGA TAROT; and OPENING TO THE LIGHT ****

Sunday, January 29, 2012

RESPONSE TO "ONE SINGLE IMPRESSION" PROMPT of 1-29-12


LONG STRANGE TRIP

the aliens’ eyes
shine a gelid pale gold
their limbs, pseudopods

why did my family
trick me onto this spaceship
with cavernous halls
and why this email from Mother
that there’s nothing wrong at all


[a dreamku and a tanka on a dream of 7-11-11]

This week's prompt at "One Single Impression" is: WRONG. I haven't been taking on the delightful weekly prompt challenge from "One Single Impression" for quite some time. Therefore, I thought it was high time to do so. If you'd like to -- and I highly recommend that you do -- see other participants' creative and stimulating responses, just click here.

Both the poem and the photo above are by myself, Roswila (a/k/a Patricia Kelly). BTW, the vast majority of my writing is based on dreams, and I've become consumed with taking (and often fancifully editing) digital photos in the time since I last enjoyed regular participation in "One Single Impression."

PLEASE NOTE that I never have nor do I now lay claim to having been the first to suggest writing about our dreams in the haiku form. In fact, the haijin (Haiku Masters of centuries ago) sometimes wrote haiku on dreams. But even more importantly, what I have been developing for several years now on this blog is not even truly haiku or tanka or monoku. The ways in which I have been using and experimenting with these forms makes the results more akin to kissing cousins of these small Eastern poetry forms. Therefore, the term I mostly use of "dreamku" to distinguish what I do from those traditional forms.

Also, that the photo accompanying a daily dream poem or non-dream based poem is not necessarily meant to illustrate it, but to reflect some small, even slant aspect of the verse -- similar to Japanese haiga (illustrated haiku). I've also recently realized that although the dreamku (i.e. dream based poems) posted here tend not to have metaphor or simile, the accompanying photos almost always act as such. And to write a metaphor or simile into a dream scenario is something I rarely do. It can be confusing: did it really look like a hand, say, in the dream, or am I just being poetic to make my conscious point? As these dreamku act as a dream journal, my over-riding tendency is to try to stay close to the actual dream scenario itself. Admittedly making for a tendency to less "poetic" dreamku. Then why pay attention to any haiku, tanka, or monoku parameters at all when writing about my dreams? Because I find in even attempting to adhere to them I'm making choices that relieve my dream recall of a great deal of chatter so that I can get down to some important dream aspects. Here's a link to THE AREN'TS OF DREAMKU & ACCOMPANYING PHOTOS in which I go into some of the basic parameters for dreamku and the photos chosen to go with them (and with any non-dream based poems I post here, as well).

The archives in the sidebar hold years of the daily dreamku, tanka, monoku and photo posts I've made, grouped in one post by month. As I no longer post dreamku (or non-dream based poems) strictly daily, each post will appear below and then in the archives by the day on which it was posted.

There are many other sorts of posts here, not all dream-based. I indicate which are about or influenced by dreams. Some non-dream focused posts are book reviews, "regular" poems (some by other writers than myself), scifaiku, writing exercises, Tarot haiku, photos, haiga, and so on. However, most of those are in much older posts. There's a listing by month going back to early 2006, at the end of the sidebar.

Click here for a more in-depth INTRODUCTION, including links to my THREE PART PRIMER on the dreamku form.

* * * *

‘til next time, keep dreaming,






[aka: Patricia Kelly]

**** If you wish to copy or use any of my writing or poems, please email me for permission (under “View my complete profile”) **** My other blogs: ROSWILA’S TAROT GALLERY & JOURNAL; ROSWILA’S TAIGA TAROT; and OPENING TO THE LIGHT ****