ENJOYING THE FALL (photo) & GRAVITY (mixed format dream poem) by Roswila

GRAVITY

how did she ever
wind up here again, she thinks
as she looks at the night ...
that first leap from this high window
to outside the front gate had been easy

maybe gravity will release its grip this time, too,
letting her land with as little impact as a dust mote

she puts her focus
on the same goal beyond the gate
and takes the leap
the night air sings past her ears
as she falls gracefully feet first

but something pulls
her off course to deep inside
the gate's dark compass,
though the landing's soft as before
and the hushed garden welcoming

she's grateful for the easy alighting; nevertheless
she worries: what if that huge rod iron gate's locked?

and what if gravity won't release her to make
the long climb up and over its stern lattice

ah, well, there's a considerable walk just to reach
the gate, and it's a beautiful autumn midnight

she tosses her worries behind like her long braid
is it the moonlight that smells so sweet?


[mixed format (tanka & two-liners) poem on a dream of 11-6-14. Photo "Enjoying the Fall" (7-28-12 12093ev4) by Roswila]

BRIEF INTRODUCTION TO DREAMKU (& PHOTOS):

But first, a request: please let me know of any typos or other sorts of blunders in my posts. As my eyes age I'm finding more mistakes are creeping into what I put up here no matter how many times I proof it all. Thanks for any help!

The dream-based poems posted on this blog -- dreamku, tanka, two-liners, monoku, free verse, dream narratives -- are offered in the spirit of collaboration. I have done my part. Now it’s your turn to jump in and see what comes up for you. I.e., there is no right or wrong way to relate to any of these dream offerings. Even my own understandings of them change over time. And it gives me joy when a reader sees something in any of them that I have not. (This all applies to any of the non-dream poems posted here, too.)

Also please note that a dream poem or narrative is not intended as an interpretation of a dream, or even a complete and accurate rendering of one. It is my attempt to get down dream imagery/action that grabs me and, as I write about it, elicits my conscious written association and response. Nor do I believe that one has to remember dreams in order for them to do their work. In my understanding, we are much more than our conscious selves.

You may also note in any further reading on dreamku (the specific forms of dreamku, tanka, two-liners and monoku) you may do here, that in the beginning I stressed "showing, not telling." However, this has been changing for some time. I now tend to "show" (the dream story) and cap if off with a "tell" (some reaction and/or insight I've had to the dream as I was writing about it). This also pretty much applies to my free verse dream poems as well. As to what I have begun calling dream narratives, they are a different animal, probably most akin to prose poems.

For more in-depth exploration of the dreamku forms specifically and one post in which I also address my photo choices:

-- very brief comparison of dreamku and haiku: DREAMKU ARE NOT HAIKU

-- a brief post about both dreamku and my photos THE AREN'TS OF DREAMKU & ACCOMPANYING DIGITAL PHOTOS.

-- detailed three-part post about dreamku: "A DREAMKU PRIMER: Writing Haiku-Like Poems About Your Night Dreams": PART ONE: Introduction & Writing Dreamku as Dream Work; PART TWO: Elements of the Haiku Form Used in Dreamku; and PART THREE: How to Write Dreamku (the second and third parts have some overlap).

-- a short up-dating post about the three-part "A DREAMKU PRIMER" -- Important Up-date to A DREAMKU PRIMER....".

* * * *

‘til next time, keep dreaming,







If you wish to copy or use any of my writing or poems, please email me for permission (under “View my complete profile”). Roswila's connections & other blogs: Charter Member of the United Haiku and Tanka Society (UHTS); ROSWILA’S TAROT GALLERY & JOURNAL; ROSWILA’S TAIGA TAROT; and TRYING TO HOLD A BOX OF LIGHT.