AT HEART (photo art) & ALIVE AND KICKING (dream tanka trio w/two-liner) by Roswila
ALIVE AND KICKING
he's still alive,
over there, do you see him?
no, he just never died
there's nothing miraculous here
just people's wont to gossip
to jump to the worst
of possible conclusions
and spread them around
thick and far with no regard
for impact much less the truth
but, hey, you know this,
yet bought that he's no longer
alive and kicking
so at the risk of jumping myself
here's two questions to consider:
does his still beating heart ease your guilty feelings?
has anything outer ever truly changed your inner?
[three tanka (written in that new looser format I've started using) capped by a two-liner on a dream of 7-23-14. That closing question can be read two ways and that's how it felt in the dream. The first way is in a psychological sense. I've been feeling very upset with how little I seem to have really changed for the better over the years. And hopeless as to what to do about it, if anything. But then there's that other sense. There is something essential about each of us -- beyond the psychological -- that is truly changeless in a positive sense, even eternal. Ah, I just realized the two questions themselves can be read to reflect these two senses. Photo art "At Heart" (4-19-14 005vd) by Roswila]
But first, a request: please let me know of any typos or other sorts of blunders in my posts. As my eyes age I'm finding more mistakes are creeping into what I put up here no matter how many times I proof it all. Thanks for any help!
The dream-based poems posted on this blog -- dreamku, tanka, two-liners, monoku, free verse, dream narratives -- are offered in the spirit of collaboration. I have done my part. Now it’s your turn to jump in and see what comes up for you. I.e., there is no right or wrong way to relate to any of these dream offerings. Even my own understandings of them change over time. And it gives me joy when a reader sees something in any of them that I have not. (This all applies to any of the non-dream poems posted here, too.)
Also please note that a dream poem or narrative is not intended as an interpretation of a dream, or even a complete and accurate rendering of one. It is my attempt to get down dream imagery/action that grabs me and, as I write about it, elicits my conscious written association and response. Nor do I believe that one has to remember dreams in order for them to do their work. In my understanding, we are much more than our conscious selves.
You may also note in any further reading on dreamku (the specific forms of dreamku, tanka, two-liners and monoku) you may do here, that in the beginning I stressed "showing, not telling." However, this has been changing for some time. I now tend to "show" (the dream story) and cap if off with a "tell" (some reaction and/or insight I've had to the dream as I was writing about it). This also pretty much applies to my free verse dream poems as well. As to what I have begun calling dream narratives, they are a different animal, probably most akin to prose poems.
For more in-depth exploration of the dreamku forms specifically and one post in which I also address my photo choices:
-- very brief comparison of dreamku and haiku: DREAMKU ARE NOT HAIKU
-- a brief post about both dreamku and my photos THE AREN'TS OF DREAMKU & ACCOMPANYING DIGITAL PHOTOS.
-- detailed three-part post about dreamku: "A DREAMKU PRIMER: Writing Haiku-Like Poems About Your Night Dreams": PART ONE: Introduction & Writing Dreamku as Dream Work; PART TWO: Elements of the Haiku Form Used in Dreamku; and PART THREE: How to Write Dreamku (the second and third parts have some overlap).
-- a short up-dating post about the three-part "A DREAMKU PRIMER" -- Important Up-date to A DREAMKU PRIMER....".
If you wish to copy or use any of my writing or poems, please email me for permission (under “View my complete profile”). Roswila's connections & other blogs: Charter Member of the United Haiku and Tanka Society (UHTS); ROSWILA’S TAROT GALLERY & JOURNAL; ROSWILA’S TAIGA TAROT; and TRYING TO HOLD A BOX OF LIGHT.
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