Roswila's Dream & Poetry Realm

SEE ALSO: TRYING TO HOLD A BOX OF LIGHT (photos, realistic to abstract)

Tuesday, March 06, 2012

JUST A GLIMPSE (photo) and AS IF HE WERE ALIVE & NINE AGAIN (dreamku) by Roswila


AS IF HE WERE ALIVE AND NINE AGAIN*

Matthew accompanies
me on a city outing
suddenly shanghaied
they tell me to leave him in a
large office storage space

they set me to work
across the hall in a file room
then disappear
my worry for Matthew mounts
I defy orders and go to him

he’s curled in a tight
ball sleeping, I nudge him gently
he wakes saying “Ma?”
“No, it’s Aunt Pat” I respond
“I’m taking you back with me”

why didn’t I think
to do this a lot sooner?
he can watch me work –
why would our captors care if
we’re no longer so lonely


[four tanka on a dream of 3-3-12. *Matthew was a boy who was like a son to me; he died decades ago, just before he turned 15. He was killed in mid-January and his birthday was March 22nd, plus I’ve been talking a bit about him with a friend. So he’s been much on my mind. Photo "Just a Glimpse" by Roswila]

PLEASE NOTE that I never have nor do I now lay claim to having been the first to suggest writing about our dreams in the haiku form. In fact, the haijin (Haiku Masters of centuries ago) sometimes wrote haiku on dreams. But even more importantly, what I have been developing for several years now on this blog is not even truly haiku or tanka or monoku. The ways in which I have been using and experimenting with these forms makes the results more akin to kissing cousins of these small Eastern poetry forms. Therefore, I mostly use the term "dreamku" to distinguish what I do from those traditional forms. Click here for a more in-depth INTRODUCTION than follows below, including links to my THREE PART PRIMER on the basic (most haiku-like) dreamku form.

Also, the photo accompanying a daily dream poem or non-dream based poem is not necessarily meant to illustrate it, but to reflect some small, even slant aspect of the verse -- similar to Japanese haiga (illustrated haiku). I've also recently realized that although the dreamku (i.e. dream based poems) posted here tend not to have metaphor or simile, the accompanying photos almost always act as such.

To write a metaphor or simile into a dream scenario is something I rarely do. It can be confusing: did it really look like a hand, say, in the dream, or am I just being poetic to make my conscious point? As these dreamku act as a dream journal, my over-riding tendency is to try to stay close to the actual dream scenario itself. Admittedly making for a tendency to less "poetic" dreamku. Then why pay attention to any haiku, tanka, or monoku parameters at all when writing about my dreams? Because I find in even attempting to adhere to them I'm making choices that relieve my dream recall of a great deal of chatter so that I can get down to some important dream aspects. Here's a link to THE AREN'TS OF DREAMKU & ACCOMPANYING PHOTOS in which I go into some of the basic parameters for dreamku and the photos chosen to go with them (and with any non-dream based poems I post here, as well).

The archives in the sidebar hold years of the daily dreamku, tanka, monoku and photo posts I've made, grouped in one post by month. As I no longer post dreamku (or non-dream based poems) strictly daily, each post will appear below and then in the archives by the day on which it was posted.

There are many other sorts of posts here, not all dream-based. I indicate which are about or influenced by dreams. Some non-dream focused posts are book reviews, "regular" poems (some by other writers than myself), scifaiku, writing exercises, Tarot haiku, photos, haiga, and so on. However, most of those are in much older posts. There's a listing by month going back to early 2006 in the sidebar.

* * * *

‘til next time, keep dreaming,






[aka: Patricia Kelly]

**** If you wish to copy or use any of my writing or poems, please email me for permission (under “View my complete profile”) **** My other blogs: ROSWILA’S TAROT GALLERY & JOURNAL; ROSWILA’S TAIGA TAROT; and OPENING TO THE LIGHT ****

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