Roswila's Dream & Poetry Realm

SEE ALSO: TRYING TO HOLD A BOX OF LIGHT (photos, realistic to abstract)

Monday, November 11, 2013

ESCAPE VELOCITY (photo art) & THE UNLOCKED DOOR (dream narrative) by Roswila


THE UNLOCKED DOOR

the door's been unlocked
by a most unlikely person --
one of those who's supposed
to keep us from escaping
and who helped imprison me
and my young male friend
in this small bare room
to begin with -- I turn off
the lights fearful of being
caught before we can get away
and rush to pack my things --
I rummage blindly in my dresser,
grabbing fists full of my bras
and panties, not even attempting
to select the best to take, simply
shoving them in a pillowcase
but then decide to drop them all
and just vamoose -- why take
the time, and weigh myself down
with all these belongings, it's only
stuff anyway and that door
won't stay unlocked forever


[narrative on a dream of 11-4-13. Photo "Escape Velocity" (6-15-11) by Roswila]

BRIEF INTRODUCTION TO DREAMKU (& PHOTOS): The dream-based poems posted on this blog -- dreamku, tanka, two-liners, monoku, free verse, etc. -- are offered in the spirit of collaboration. I have done my part. Now it’s your turn to jump in and see what comes up for you. I.e., there is no right or wrong way to relate to any of these dream offerings. Even my own understandings of them change over time. And it gives me joy when a reader sees something in any of them that I have not.

Also please note that a dream poem is not intended as an interpretation of a dream, or even a complete and accurate rendering of one. It is my attempt to get down dream imagery/action that grabs me and, as I write about it, elicits my conscious written association and response. Nor do I believe that one has to remember dreams in order for them to do their work. In my understanding, we are much more than our conscious selves.

You may also note in any further reading on dreamku (the specific forms of dreamku, tanka, two-liners and monoku) you may do here, that in the beginning I stressed "showing, not telling." However, this has been changing for some time now. I now tend to "show" (the dream narrative) and cap if off with a "tell" (some reaction and/or insight I've had to the dream as I was writing about it). This pretty much applies to free verse dream poems as well.

For more in-depth exploration of the dreamku forms specifically (and one post in which I also address my photo choices):

-- very brief comparison of dreamku and haiku: DREAMKU ARE NOT HAIKU

-- a brief post about both dreamku and my photos THE AREN'TS OF DREAMKU & ACCOMPANYING DIGITAL PHOTOS.

-- detailed three-part post about dreamku: "A DREAMKU PRIMER: Writing Haiku-Like Poems About Your Night Dreams": PART ONE: Introduction & Writing Dreamku as Dream Work; PART TWO: Elements of the Haiku Form Used in Dreamku; and PART THREE: How to Write Dreamku (the second and third parts have some overlap).

-- a short up-dating post about the three-part "A DREAMKU PRIMER" -- Important Up-date to A DREAMKU PRIMER....".

* * * *
‘til next time, keep dreaming,






If you wish to copy or use any of my writing or poems, please email me for permission (under “View my complete profile”). Roswila's connections & other blogs: Charter Member of the United Haiku and Tanka Society (UHTS); ROSWILA’S TAROT GALLERY & JOURNAL; ROSWILA’S TAIGA TAROT; and TRYING TO HOLD A BOX OF LIGHT.

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