THAT SINKING FEELING (photo) & FLOTSAM (dream tanka trio) by Roswila
FLOTSAM
ah, Dad, always good
to see you, but what were you
doing in these dreams?
alerting me to them or
preventing any recall?
you’re all that stands out
from the night’s blurry business,
as if abandoned
on morning’s shore by the quick
retreat of a messy king tide
were you too heavy
to be swept away with all
the other flotsam,
an unfathomable clue
to what I simply can’t grasp?
[three tanka on the dreams of 12-16-12. A “king tide” is as one might guess a very high tide. We just had one here on the California coast a couple days ago. Photo “That Sinking Feeling” by Roswila]
Further, haiku afficianado and translator David Gerard said in a recent post: “One of the most important aspects of haiku is that much is left ambiguous, unspoken, undefined. Ludmila Balabanova writes, ‘Haiku isn't a perception shared by the author, but an invitation to the reader to achieve his own enlightenment.’” To that I add that the same might be said of all the dreamku, and dream-based tanka, two-liners, and monoku on this blog.
For more in-depth exploration:
-- a brief post about both dreamku and my photos THE AREN'TS OF DREAMKU & ACCOMPANYING DIGITAL PHOTOS.
-- detailed three-part post about dreamku: "A DREAMKU PRIMER: Writing Haiku-Like Poems About Your Night Dreams": PART ONE: Introduction & Writing Dreamku as Dream Work; PART TWO: Elements of the Haiku Form Used in Dreamku; and PART THREE: How to Write Dreamku (the second and third parts have some overlap).
-- a brief up-dating post about the three-part "A DREAMKU PRIMER" -- Important Up-date to A DREAMKU PRIMER....".
If you wish to copy or use any of my writing or poems, please email me for permission (under “View my complete profile”). Roswila's other blogs: ROSWILA’S TAROT GALLERY & JOURNAL; ROSWILA’S TAIGA TAROT; and TRYING TO HOLD A BOX OF LIGHT.
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