HOUSEPLANTS, TOO... (Haiga) by Roswila
The above is a haiga. A haiku on an image that in some way complements or contrasts to the haiku, though does not necessarily literally illustrate it. The Japanese haiga of centuries ago were brush paintings/drawings, with a haiku on it in kanji [Japanese writing; I gather the term kanji reflects its origins in Chinese characters, or "Han"]. In my opinion, the fluidity of Japanese brush writing on a haiga makes a lovely visual complement to a brush image without even being able to read the haiku. This has led me to consider for some time trying my hand at calligraphy again. I used to do it, decades back, and it would take time to develop the skill again. (If I actually could; age is ever-so-slightly beginning to affect my digital steadiness at times.) Hand done calligraphy would look so much better on any photo haiga I develop than any of the fonts in my computer program. I had also been holding this haiku aside with the thought of making a pen and ink sketch for it. But then I stumbled across this several months old photo and its mood immediately brought the haiku to mind. This is a "regular" haiku, by the way -- not dream-based. It came right out of a waking life experience one night, while sitting by my living room window. Photo & haiku by Roswila.
Also, the photo accompanying a daily dream poem or non-dream based poem is not necessarily meant to illustrate it, but to reflect some small, even slant aspect of the verse -- similar to Japanese haiga (illustrated haiku). I've also recently realized that although the dreamku (i.e. dream based poems) posted here tend not to have metaphor or simile, the accompanying photos almost always act as such.
To write a metaphor or simile into a dream scenario is something I rarely do. It can be confusing: did it really look like a hand, say, in the dream, or am I just being poetic to make my conscious point? As these dreamku act as a dream journal, my over-riding tendency is to try to stay close to the actual dream scenario itself. Admittedly making for a tendency to less "poetic" dreamku. Then why pay attention to any haiku, tanka, or monoku parameters at all when writing about my dreams? Because I find in even attempting to adhere to them I'm making choices that relieve my dream recall of a great deal of chatter so that I can get down to some important dream aspects. Here's a link to THE AREN'TS OF DREAMKU & ACCOMPANYING PHOTOS in which I go into some of the basic parameters for dreamku and the photos chosen to go with them (and with any non-dream based poems I post here, as well).
The archives in the sidebar hold years of the daily dreamku, tanka, monoku and photo posts I've made, grouped in one post by month. As I no longer post dreamku (or non-dream based poems) strictly daily, each post will appear below and then in the archives by the day on which it was posted.
There are many other sorts of posts here, not all dream-based. I indicate which are about or influenced by dreams. Some non-dream focused posts are book reviews, "regular" poems (some by other writers than myself), scifaiku, writing exercises, Tarot haiku, photos, haiga, and so on. However, most of those are in much older posts. There's a listing by month going back to early 2006 in the sidebar.
[aka: Patricia Kelly]
**** If you wish to copy or use any of my writing or poems, please email me for permission (under “View my complete profile”) **** My other blogs: ROSWILA’S TAROT GALLERY & JOURNAL; ROSWILA’S TAIGA TAROT; and OPENING TO THE LIGHT ****
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